37th German Congress for Art History 2024

Information

Every contributor to the German Congress for Art History is asked to submit a short biographical note (max. 10 lines) in tabular form for the conference proceedings. You may also submit up to five main areas of research and the titles of five published works.

Please enter a self-defined username and your e-mail address. This data will be used to create an account.

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First name *

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University degree / Title

Place of current institution *

Hometown / Place of residence

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Membership

I am a member of the German Association for Art History.

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German English

Short CV

(max. 10 lines, chronologically from oldest to newest, indicated by full years)

Examples of specifying a period:
"2014", "since 2005", "2010-2018"

Examples of an entry:

Studies in art history, German literature, philosophy in Munich and Berlin (thesis: »Forms of communication in the 15th century – the Volckamer Epitaph by Veit Stoss«)
PhD at the University of Hamburg (»Genealogy as monument and argument. The contribution of dynastic monuments to the formation of political space in the modern age«)
Scientific Assistant, curator, (Visiting) Professor at the University of Göttingen / at the Staatliche Kunstsammlungen Dresden

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Main areas of research / work

Examples:
"German Painting of the 19th Century", "Art and Cultural Policy in the Time of National Socialism" or "History and Theory of Photography"

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Select publications

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Please use the following scheme:

Monographs: (Hg. mit Markus Rath und Jörg Trempler) Das haptische Bild. Körperhafte Bilderfahrung in der Neuzeit (Actus et Imago. Berliner Schriften zur Bildaktforschung 7), Berlin 2013.
Essays: Himmel und Goldgrund. Konkurrierende Systeme in der Malerei um 1500, in: Yannis Hadjinicolaou, Joris van Gastel und Markus Rath (Hgg.): Paragone als Mitstreit (Actus et Imago. Berliner Schriften zur Bildaktforschung 11), Berlin 2013, S. 119–139.

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